The worst form of slavery is to willingly offer yourself on the auction block, get bought and pretend you are free. This is what participation in the mechanism called Reducing Emissions from Deforestation and forest Degradation (REDD) is.
This publication by the No REDD in Africa Network aims to demystify REDD and REDD-type projects, and all their variants, and show them for what they are: unjust mechanisms designed to usher in a new phase of colonization of the Africa continent. From examples presented, it is clear that REDD is a scam and the polluters know that they are buying the ârightâ to pollute.
The No REDD in Africa Network warns that REDD may be the ultimate wedge to crack open the door for the invasion of the African continent with genetically modified crops and trees. Furthermore, REDD threatens to take over soils, water (blue carbon) and entire eco-systems. It may also rekindle the culture of colonial plantation agriculture infamously called âcash croppingâ. In Africa, REDD is emerging as a new form of colonialism, economic subjugation and impoverishment, and must be stopped.
About the Author
Nnimmo Bassey is a Nigerian environmental justice activist, architect, essayist and poet. He is the director of the ecological think-tank, Health of Mother Earth Foundation (HOMEF) and coordinator of Oilwatch International. He was the chair of Friends of the Earth International (the largest grassroots environmental organisation in the world) from 2008-2012 as well as the co-founder and executive director of Environmental Rights Action (1993-2013) which is based in Nigeria (in Benin city, Lagos, Abuja, Port Harcourt and Yenagoa). He was a co-recipient of the 2010 Right Livelihood Award also known as the âAlternative Nobel Prize.â In 2012 he received the Rafto Human Rights Award and in 2014 he was awarded Nigeriaâs national honour as a Member of the Federal Republic (MFR) in recognition of his environmental activism. Nnimmo Bassey is the author of the highly acclaimed book, To Cook a Continent, which details the destructive impacts of the extractive industries and the climate crises in Africa. He has also authored books on architecture. His poetry focuses on environmental justice. 'We thought it was oil but it was blood' and 'I will not dance to your beat', are two of his most widely known books of poems.