{"product_id":"black-meme","title":"Black Meme: A History of the Images that Make Us","description":"\u003cp\u003e\u003cb\u003eA history of Black imagery that rewrites the history of visual culture and technology now by the bestselling author of \u003ci\u003eGlitch Feminism\u003c\/i\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003e**Shortlisted for the NBCC Award for Criticism**\u003c\/b\u003e\u003cbr\u003e\u003cbr\u003eRepresentations of Blackness have always been integral to our understanding of of the modern world. In\u003cem\u003e Black Meme\u003c\/em\u003e, Legacy Russell, award-winning author of the groundbreaking \u003cem\u003eGlitch Feminism\u003c\/em\u003e, explores the construct, culture, and material of the “meme” as mapped to Black visual culture from 1900 to present day. Mining both archival and contemporary media Russell explores the impact of Blackness, Black life, and death on contemporary conceptions of viral culture, borne in the age of the internet.\u003cbr\u003e\u003cbr\u003eThese meditations include: the circulation of Lynching postcards; \u003cem\u003eJet \u003c\/em\u003eMagazine’s publication of a picture of Emmett Till in his open casket; how the televised broadcast of protesters in Selma enters the nation’s living room and changed the debate on civil rights; how a citizen-recorded video of the Rodney King beating at the hands of the LAPD became known as the “first viral video”; what the Anita Hill hearings tell us about the media’s creation of the Black icon; Tamara Lanier’s fight to reclaim the photos of her enslaved ancestors, Renty and Delia, from Harvard’s archive; the Facebook Live recording by Lavish “Diamond” Reynolds of the murder of her partner Philando Castile by the police after being stopped for a broken tail light; and more.\u003cbr\u003e\u003cbr\u003eLegacy Russell explores the power of these tokens and argues that without the contributions of Black people, digital culture would not exist in its current form. \u003cbr\u003e\u003c\/p\u003e\n\u003ch5\u003e\u003cstrong\u003eWhat People Are Saying\u003c\/strong\u003e\u003c\/h5\u003e\n\u003cp\u003e\"\u003cem\u003eBlack Meme\u003c\/em\u003e makes clear we are an image based world and the foundational force shaping our understanding of this is Blackness. That acknowledgement naturally then brings forward questions of agency and authorship. Russell expertly explores and guides readers through the many quandaries therein allowing us to arrive on the other side, eyes wide and taking in the many, many sights (screens) almost as if for the first time tasked with better queries for our AI-powered-hyper-visible world but still with familiar demand: Reparations now! Free the Black meme!\" Arimeta Diop,  \u003cem\u003eVanity Fair\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\"Russell teases out how Black life and Black death shaped viral culture even before the birth of the internet.\" 23 Books We Can’t Wait to Read in 2024,  \u003cem\u003eVulture\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\"Toni Morrison considered ways to fight back against dehumanization in her lectures, collected as \u003cem\u003eThe Origin of Others\u003c\/em\u003e. Images and language, she notes, have the power to \"help us pursue the human project-which is to remain human and to block the dehumanization and estrangement of others.\" This recentering is what Russell proposes as a remedy: In order to address digital exploitation, she argues, we need to de- and reconstruct the conditions of digital culture, building 'one predicated on new definitions of authorship.'\" Kaila Philo,  \u003cem\u003eThe New Republic\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\"A riveting history of the images that have made and maimed Black people in an omnivorous white culture, one that stretches across centuries and technologies, from street to cyberspace; from the violence we suffer to the virtuosity we invent. You will be galvanized by Legacy Russell’s analytic brilliance and visceral eloquence.\" Margo Jefferson, author of\u003cem\u003e Constructing a Nervous System\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\"Unsettles, expands and deepens our understanding of the black meme. At the center of this book is work. How black bodies, divorced from context and circulating, are made to do all kinds of cultural work in perpetuity. Throughout, Russell stays with black\/ness as viral material, encourages us to consider memes with \"slowness,\" and wonders what might intervene in and end this perpetual labor. Black Meme is necessary reading; brilliant and utterly convincing.\" Christina Sharpe, author of\u003cem\u003e Ordinary Notes\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\"What is a meme? Legacy Russell's provocative answer takes readers on an unexpected journey that loops back to the early twentieth century, then propels us forward to see our hyper-digitized twenty-first century through new eyes. Mapping the trajectory of pivotal conjunctures in the history of digital media and visual culture, her incisive insights and compelling prose show us that Black virality is fundamentally constitutive of the internet, as well as the ongoing predicament of Black life past, present and future.\" Tina Campt, author of\u003cem\u003e Listening to Images\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\"[An] innovative analysis…in addition to constructing a persuasive case that digital culture steals from Black culture even as it looks down on Black people, Russell takes care to highlight positive media depictions of Blackness.\" \u003cem\u003ePublishers Weekly\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\"An expert deconstruction of how Blackness has been presented in culture from the beginning of the twentieth century until the present day.\" Jessica White, \u003cem\u003e i-D\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\"Legacy Russell's \u003cem\u003eBlack Meme\u003c\/em\u003e is a truly critical offering for the digital age in America's racial democracy.\" Sarah Lewis, founder of Vision and Justice, and the John L. Loeb Associate Professor of the Humanities and Associate Professor of African and African American Studies, Harvard University\u003c\/p\u003e\n\u003cp\u003e\"I can't wait to get my hands on Russell's history of Black visual culture, from early 1900s photographs to today's memes.\" Quinci LeGardye, The 20 Most Anticipated Books of 2024,  \u003cem\u003eMarie Claire\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\"Russell's \u003cem\u003eBlack Meme \u003c\/em\u003eis a history of dispossession and cultural production that have molded our evolving media landscape.\" Shanti Escalante de Mattei, \u003cem\u003e Art in America\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e \"Russell's\u003cem\u003e Black Meme\u003c\/em\u003e is a keen study of resistance, and there's no more exciting mind to tackle a potent array of topics: Paris Is Burning, Rodney King, Trayvon Martin, Emmett Till, Cindy Sherman, Anita Hill, Magic Johnson, and so much more.\" \u003cem\u003eInterview Magazine\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\"Timing is everything, and \u003cem\u003eBlack Meme\u003c\/em\u003e's is fortuitous, arriving not too long after 2020's pivotal reconfigurations of the market's relationship to blackness-the apotheosis of 'blackness as a business model,' as Russell puts it-and not too far into the tectonic shifts that are occurring now for readers to be unfamiliar with the changing landscape.\" Aria Dean, \u003cem\u003e 4Columns\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\"[\u003cem\u003eBlack Meme\u003c\/em\u003e] - which is dedicated to figures like Saartjie Baartman and the unnamed Black jockey in Eadweard Muybridge's Animal Locomotion ('a GIF before the GIF') - is a rigorous study and tribute to 'the ways in which Black art and Black life bow to one another in a limitless and radical exchange.'\" Naomi Elias,\u003cem\u003e  The Cut\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\"Writer and curator Legacy Russell's latest thought-provoking book forges a strong connection between Black imagery from 1900 on to the development of contemporary digital culture, as well as to our understanding of culture, race, gender, violence and more.\" Karla J. Strand,  \u003cem\u003eMs. \u003c\/em\u003eMagazine\u003c\/p\u003e\n\u003cp\u003e\"Russell calls for a shift in the theorization of the Black meme, reorienting our attention so that we might disrupt the present-day subjugation that drives our constant misrecognition of Black cultural expression.\" Eileen Isagon Skyers,  \u003cem\u003eHyperallergic\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\"Transformative ... Russell reframes the conversation around race and technology.\" Sihaam Naik,  \u003cem\u003ePolyester\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\"Russell's much anticipated follow up to \u003cem\u003eGlitch Feminism \u003c\/em\u003einvites readers to think more critically about the semiotics and histories undergirding contemporary visual culture, from reaction gifs to viral memes. Behind the seemingly playful, Russell uncovers a brutal legacy of racism and exploited Black labor and pain.\" \u003cem\u003eGagosian\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\"\u003cem\u003eBLACK MEME \u003c\/em\u003edelves into the complex interplay between race, digital culture, and internet aesthetics. Russell’s innovative approach continues to shape current discussions in art and technology.\" \u003cem\u003eEssence\u003c\/em\u003e\u003c\/p\u003e\n\u003ch5\u003e\u003cstrong\u003eAbout the Author\u003c\/strong\u003e\u003c\/h5\u003e\n\u003cp\u003e\u003cb\u003eLegacy Russell\u003c\/b\u003e is a curator and writer. Born and raised in New York City, she is the Executive Director \u0026amp; Chief Curator at The Kitchen. Formerly she was the Associate Curator of Exhibitions at The Studio Museum in Harlem. Russell holds an MRes with Distinction in Art History from Goldsmiths, University of London with a focus in Visual Culture. Her academic, curatorial, and creative work focuses on gender, performance, digital selfdom, internet idolatry, and new media ritual. Russell's written work, interviews, and essays have been published internationally. She is the recipient of the Thoma Foundation 2019 Arts Writing Award in Digital Art, a 2020 Rauschenberg Residency Fellow, and a recipient of the 2021 Creative Capital Award. Her first book \u003ci\u003eGlitch Feminism: A Manifesto\u003c\/i\u003e (2020) is published by Verso Books.\u003c\/p\u003e","brand":"Verso","offers":[{"title":"Default Title","offer_id":45000252555357,"sku":"9781839762819","price":28.95,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0562\/0826\/1213\/files\/blackmeme.jpg?v=1788736583","url":"https:\/\/leftwingbooks.net\/fr\/products\/black-meme","provider":"Leftwingbooks","version":"1.0","type":"link"}